Generation

Jason Wade of Lifehouse live in Manila on June 1

SHARE an unforgettable night with Lifehouse’s lead vocalist, guitarist and songwriter Jason Wade as he takes centerstage at the New Frontier Theater on June 1.

The Lifehouse frontman, after three years of not being on stage, will perform and serenade the audience once again with the band’s timeless hits in what will be his first-ever all-acoustic set. 

It has been almost nine years since Wade and his bandmates last visited the Philippines to perform in Mall of Asia Arena in 2015. To this day, their Filipino fans remain “one of the best fans in the world,” said the vocalist in an interview. 

Wade, the genius behind Lifehouse’s creation, has been at the forefront with his bandmates of making albums and touring for almost 20 years.

The band is known for their soulful melodies, timeless hits and powerful lyrics, fusing alternative rock, post-grunge and pop elements. The band has been captivating people with their music worldwide for nearly two decades, earning them a place in modern rock history. 

A popular hit is “Hanging by a Moment,” which has elevated their debut studio album “No Name Face,” and has led to the band’s mainstream success.

Their connection with fans transcends meaning, and it is evident as they continue to be recognized by streaming platforms. Among their recognitions are Top Hot Adult Top 40 Artist, with several of their songs included in the Billboard Hot 100 and Adult Pop Songs charts.

Music lovers of all ages will love the upcoming performance of Wade with his special guest Steve Stout, as they go back in time with the band’s timeless classics to chart-topping hits.

Attendees will get the well-deserved treat of Lifehouse’s unforgettable and iconic discography, from classics like “You and Me” and “Hanging by a Moment” to fan favorites such as “Everything,” “Halfway Gone,” “Breathing,” “Somewhere in Between” and “Sick Cycle Carousel” and many more.

Tickets start at Balcony P2,500, Loge P3,900, Patron P4,350, and VIP P4,800.

With reports from Jacqueline Beatrice M. Dejesa

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